Designed by Vic Carless, Shatter assembles together slices of Helvetica to make a typeface that seems to be in motion, or broken and in pieces. Writing in , Tim Spencer praised the design for its ominous effect, writing that it offered "glitch-like mechanical aggression [and] cold, machine-induced paranoia.
Shatter literally sliced up Swiss modernist authority. It was developed in the s for electronic on-screen phototypesetting and released in As phototypesetting was soon replaced by desktop publishing and because of a legal dispute, the typeface rapidly disappeared from the market. In the Swiss foundry Lineto released a digital edition with input from Christian Mengelt. In the digital period, Canadian type designer Ray Larabie has released several digital fonts based upon Helvetica. The most widely known and distributed of these is Coolvetica, which Larabie introduced in ; Larabie stated he was inspired by Helvetica Flair, Chalet, and similar variants in creating some of Coolvetica's distinguishing glyphs most strikingly a swash on capital 'G', lowercase 'y' based on the letterforms of 'g' and 'u,' and a fully curled lowercase t'' , and chose to use set a tight default spacing optimised for use in display type.
As of , the semi-bold remains Larabie's most popular font.
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From Wikipedia, the free encyclopedia. Not to be confused with Helvetia. For other uses, see Helvetica disambiguation.
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Sans-serif typeface by Max Miedinger, Helvetica can't do everything Shapes like 'C' and 'S' curl back into themselves, leaving tight " apertures "—the channels of white between a letter's interior and exterior The lowercase 'e', the most common letter in English and many other languages, takes an especially unobliging form. These and other letters can be a pixel away from being some other letter. Logo of Cassina S. Soyuz Grotesk added a Latin script, which it reconstructed in the same way Sowjietische Haas Grotesk had been constructed from Helvetica but in reverse, by using the Cyrillic forms and adapting them to Latin.
FontShop archived. Archived from the original on 30 April Retrieved 29 April Adobe Systems. Retrieved 15 October Nick Shinn. Graphic Exchange.
Retrieved 1 July Retrieved 5 October Der Druckspiegel. Archived from the original PDF on Blue Pencil. Retrieved 26 June Font Bureau. Retrieved 4 August Helvetica Forever. The 'Breite Grotesk' by J. University of Reading archived. Archived from the original PDF on 12 January Retrieved 17 January Herb Lubalin Study Center. University of Reading. Retrieved Paul Shaw Letter Design blog. Retrieved 27 December Paul Shaw Letter Design. Helvetica Forever: Story of a Typeface. Mark Simonson Studio Notebook. Retrieved 19 March Many type manufacturers in the past have done knock-offs of Helvetica that were indistinguishable or nearly so.
For better or worse, in many countries—particularly the U. So, if you wanted to buy a typesetting machine and wanted the real Helvetica, you had to buy Linotype. Instead you got Triumvirate, or Helios, or Megaron, or Newton, or whatever. Every typesetting manufacturer had its own Helvetica look-alike. Phototypesetting: a design manual 1st ed. New York: Watson-Guptill. Helvetica is, without a doubt, the most widely used sans serif typeface. Retrieved 30 April Mark Simonson Studio. Retrieved 14 July Retrieved 28 November Spiekermann blog.
Retrieved 15 July Or can you work out this code? Retrieved 14 June Joel On Software. Fonts In Use. John Gruber. The New York Times. Retrieved 11 January Treasury Board of Canada Secretariat. A consistent typography is fundamental to corporate identity, and three faces from the Helvetica type family have been adopted for purposes of the FIP.
They were chosen for their versatility, excellent legibility and contemporary design. Retrieved 6 November Wall Street Journal. New York Times.
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Metro de Madrid. Typeface name changes after Eye magazine goes to press". Eye Magazine. LV in Latvian.
Baseline 9 : 6—9. Retrieved 20 March Retrieved 3 August Retrieved 1 May Archived from the original on Metropolis Magazine. Archived from the original on 7 October Retrieved 4 July Philadelphia: Temple University Press. Museum of Modern Art , New York. Retrieved 1 April Retrieved 28 April Archived from the original on April 22, They were released in There was no client in mind for Helvetica Compressed when we did it.
New York: Princeton Architectural. Computer Arts. We did a sans-serif typeface, which, if you look at it today, you'd think was a rip-off of Helvetica. But we'd never seen Helvetica in in London, although it had been produced in Switzerland near Basle at the Haas foundry in Even if we had seen it, and wanted to have it typeset in London, we'd have had to get on a plane and fly to Basle and have it typeset there, because the British typesetting trade was so conservative that typefaces like that were simply unobtainable.
Retrieved 7 October Creative Pro. Retrieved 13 July CZ : Svettisku. December Macrakis, Michael ed. Greek Letters: From Tablets to Pixels 1st ed. New Castle, Del. Retrieved 18 November The Temporary State. Neue Helvetica: The Same but Different".click
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Retrieved 4 September Retrieved May 25, The change is specific to the iPhone 4 hardware or more specifically, the Retina Display , not iOS 4. Apple Developer. Apple, Inc. Retrieved 18 October August 6, In the Comments Section: The biggest differences are the new Greek, Cyrillic and Hebrew designs, and the presence of Arabic support based on the radically redesigned Yakout Linotype not a perfect match for the Helvetica, but the most appropriate in the Linotype Library; this is 'core font' Arabic support: not for fine typography.
There is also a large maths and symbol set in each font not complete maths typesetting support, but more than you'll get in most fonts. The only big change in the Latin is that the whole thing has been respaced. The old Helvetica Std Type 1 and TT fonts inherited, via phototype, the unit metrics of the original hot metal type. This led to all sorts of oddities in the sidebearings, which were cleaned up during development of Helvetica Linotype.
It is still quite a tightly spaced typeface by today's standards, but the spacing is now consistent. It was also re-kerned. Helvetica Linotype has also been extensively hinted for screen. An A—Z of Type Designers. Yale University Press: Mar Retrieved 25 May Dec Acumin microsite. Retrieved 6 January The Font Bureau, Inc. Retrieved 23 December Frederick's Timelog.
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